Read around groups are a great way to support peer review in your classroom in an non-traditional way. This activity helps students develop their vocabulary for discussing and critiquing writing, and solidifies ideas about what good writing looks like. Consider using this method in your classroom to engage your students in more dynamic peer review!
Interested in utilizing Dr. Thomas Sura’s One Minute Paper in your classroom? Here is a brief instructional video detailing how to implement it. This is a great way to foster reflective thinking in your students concerning their own writing practice, and has the added benefit of allowing you instant feedback on your own teaching practices!
Based on a presentation by Melissa Broeckelman-Post, this learning module illustrates a methodology for course design that begins with the broad and gradually focuses in on how to create assignments and assessments. Each assignment is encouraged to link back to the original goals and outcomes desired for the course, so that everything remains focused and connected.
Consider using this method the next time you begin to design your class.
Looking for a new way to foster discussion in your classroom? Try this sticky note exercise! This highly adaptable exercise allows for meaningful discussion, while the anonymity of it allows students the freedom to express their ideas. Try using this method to discuss writing in your classroom, and see what new revelations your students come to.
By: Tom Sura
Tom Sura is an assistant professor of English and the undergraduate writing coordinator at West Virginia University. Tom would love to know if you use one-minute papers in your courses and what discoveries they have led to. You can find him several ways: @tom_sura on Twitter, firstname.lastname@example.org on email, and tomsura.tumblr.com online.
One of the most powerful tools in a teacher’s toolkit—regardless of the discipline—measures just three inches by five inches. That’s right. The standard-issue index card has a remarkable power for increasing student engagement, assessing pedagogy, and providing evidence of exceptional teaching.
Cameron Carter is the Communications & Marketing Specialist for the Office of Distance Education at George Mason University. She earned her MA in English (Professional Writing & Rhetoric) from Mason in 2013, and she is currently a graduate student in the Higher Education Administration certificate program. You can reach her at email@example.com.
Over the past five years, Mason’s Office of Distance Education (DE) has supported a number of faculty and programs transitioning their courses from face-to-face to fully online. From partnering each faculty member with an Instructional Designer in Learning Support Services (LSS) to connecting them to the accessibility experts with the Assistive Technology Initiative, highlighting the research and copyright expertise of the University Librarians to emphasizing the resources available through the Center for Teaching and Faculty Excellence (CTFE), our role has focused largely on how best to connect Mason’s online faculty with the services and resources available across our campus.
As the DE Office, along with online education at Mason, continues to grow and take shape, we’ve asked ourselves – is this enough? This question has sparked a new effort for faculty support from the DE Office, mainly via an upsurge of faculty development opportunities. We don’t only want to support online program development and link to specific resources. We want to promote a sense of faculty community and a culture of shared knowledge and practice. Through a string of faculty development events hosted in collaboration with CTFE and LSS, we are making a push to inspire this shared place for faculty at Mason. Here’s the kicker – we aren’t focusing on online faculty alone.
By Mikal Cardine
Mikal is a senior studying English at George Mason. She previously worked with WAC to create disciplinary writing guides for student use. To reach her, please contact firstname.lastname@example.org.
In the subjective world of writing, there doesn’t seem to be any rules – just lots of different guidelines as we students move from class to class. However, effective communication is what writing is all about, and professors can best teach their students this skill by practicing it themselves, especially regarding their expectations of writing assignments. Before assuming that we know what is expected of us, professors need to consider our circumstances and differences: Some of us have not been in a focused writing class in years. Some of us have not taken 302 before taking the WI course. Some of us placed out of first year writing, or have transferred to Mason and are still adjusting to new professors and new expectations. And of course, most of us have probably received terrible writing instruction at some point.
By: Alisa Russell
Alisa Russell is a Master’s student in the Teaching Writing and Literature program at George Mason University. She works as an administrator in the Writing Center, a research assistant for Writing Across the Curriculum, and a teaching assistant for First Year Composition. Her current research interests include the Writing About Writing movement in composition theory/pedagogy and Writing Center training and strategies for working with multilingual writers. You can reach her at email@example.com.
As a recent Writing Center tutor, a Writing Center administrator, and a current teacher of First Year Composition, I am uniquely positioned between the worlds of the Writing Center and the classroom. This position gives me a type of fluency in both languages – that of the Writing Center and that of a classroom teacher – and I can see spaces where the two languages do not necessarily align. One of these disjointed spaces can occur in how professors talk about and conceptualize the Writing Center for their students and how the Writing Center attempts to create its image and goals for student writers in all disciplines.
by Jenae Cohn
Jenae Cohn is a PhD candidate pursuing a Designated Emphasis in Writing, Rhetoric, and Composition in the English department at the University of California, Davis. She is a graduate writing fellow through the University Writing Program’s Writing Across the Curriculum program and her research interests include digital rhetoric, materiality, and the history of the book. She can be contacted via e-mail, Twitter, and her personal website.
Never before had I seen an article filled with more numbers than words on one page. I was in the second-year of my PhD program in English and was working as a graduate writing consultant (“tutor”) through my university’s Writing Across the Curriculum program.
As someone who had trained as a tutor in an undergraduate writing center in college, I knew the techniques for skimming a long paper, seeking out the main points, and identifying the areas of higher-order concerns. In college, I had dealt with a variety of papers from disciplines across the curriculum, operating under the assumption that, as Pemberton (1995) puts it, “many aspects of text production… are ‘generic’ in nature and, for the most part, extend across disciplinary boundaries” (p. 367). Yet for the first time, I was confronted with the fact that there were disciplinary differences – and big ones – that I had never encountered before. I didn’t know what to do. After all, I was new to WAC as a pedagogy to use in tutoring and I didn’t thinking that my writing center knowledge alone was enough to equip me for the new challenges of reading and commenting upon the conventions of academic disciplinary prose at the graduate level.
by: Caitlin Holmes
Caitlin Holmes is the Assistant Director of Writing Across the Curriculum at George Mason University. She blogs regularly about teaching here at thewritingcampus.com. You can reach her via email at firstname.lastname@example.org.
With the support of Mason’s Provost Office and Center for Teaching and Faculty Excellence, the Writing Across the Curriculum Program hosted two Faculty Writing Retreats in the past 12 months: one in May 2014 and the other in January 2015. Such retreats had occurred in the past under the supervision of the Northern Virginia Writing Project, but not for quite some time. This blog post will review the different structures of the May 2014 and January 2015 retreats, give summaries of evaluation results for both retreats, and provide a few concluding thoughts about what we may try in the future at Mason.