Writing Across the Curriculum

“Teaching in Thin Air” – by Susan Schorn

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Susan Schorn, writing as a guest on author John Warner’s blog Just Visiting, has written a compelling post on one of the many issues facing writing instruction in the age of the constant budget crisis. In “Teaching in Thin Air,” Susan illustrates the direct link between higher class caps in writing classes and student drop-out rates, negative evaluations, and teacher burnout. To diffuse a teacher’s attention in a writing classroom, she points out, is to guarantee minimal writing instruction for each student.

“Though I’ve never climbed Everest, I’ve spent considerable time in academia’s version of the death zone: the super-sized writing classroom. I’ve taught writing-intensive courses in “overflow” sections with 26 students or more; I’ve worked with instructors who regularly taught sections of 32, 40, or even 60 students. Of course, “teach” is probably the wrong verb—any instructor who has helmed one of these mega-classes knows it’s virtually impossible to teach the students much about writing. There simply isn’t enough instructional oxygen to sustain learning.”

“Teaching in Thin Air” –  by Susan Schorn 

Multilingual Writing Across Disciplines – an Interview with Anna Habib and Karyn Mallett – Part 2

In this series of interview questions from Mason WAC, Anna Habib, Assistant Director of Multilingual Composition, and Karyn Mallett, Associate Director of International Pathway and English Language Programs, offer some insights into their teaching practices and observations concerning multilingual composition.

Successful Approaches to Teaching Multilingual Writers:

The Challenges of Teaching Multilingual Writers:

Generic or specific: writing in and across the disciplines

In this post by The UWC Writing Centre, the focus is on the open-mindedness necessary to teach writing across disciplines. When faculty-requested workshops on impossibly broad topics like “Can you come and tell my students how to write at university?” are not the solution to student writing issues, what is? The preliminary answer: a dialogue on the nature of the writing assignment, faculty expectations and qualifications for excellence within the assignment. This opens the door to conversations about how to best serve student writers in their discipline: by operating somewhere between the generic and the specific.

Multilingual Writing Across Disciplines – an Interview with Anna Habib and Karyn Mallett – Part 1

In this series of interview questions from Mason WAC, Anna Habib, Assistant Director of Multilingual Composition, and Karyn Mallett, Associate Director of International Pathway and English Language Programs, offer some insights into their teaching practices and observations concerning multilingual composition.

Introduction:

Multilingual Writers at Mason:

Principles for Teaching Multilingual Writers:

Responding to Student Writing/Writers

Teaching and Learning in Higher Ed. highlights some of the best practices from Nancy Sommers’ new book, Responding to Student Writers. One of the most helpful insights is the ability to recognize that our comments to students may be contradictory, misleading, or vague, and that the real purpose of offering feedback to students is to “teach one lesson at a time.”

“We should ‘ask ourselves: What single lesson do I want to convey to students through comments? And how will I teach this lesson?'”